Artist Takeshi Obata originally thought of the books as
"'Bible-like'... something you would automatically think was a
Death Note." Deciding that this design would be cumbersome, he instead
opted for a more accessible college notebook;
Death
Notes were originally conceived as changing based on time and location, resembling scrolls in ancient Japan,
or the Old Testament in medieval Europe; however, this
idea was never used;
In the
pilot chapter of the manga there is a Death Eraser with which one can erase names written in the Death Note. Once a
name is erased the person comes back to life if the body was not damaged;
Writer Tsugumi Ohba said
that Near's climactic speech about good and
evil was rooted in his own beliefs : "Nobody can say
what is right and what is wrong, what is righteous and what is evil. Even if
there is a God, and I had his teachings before me, I would think it through and
decide if that was right or wrong myself."
---Near,
chapter 105 ("Impossible")
Ohba
and Obata rarely met in person during the creation of the serialized manga;
instead the two met with the editor. The first time they met in person was at
an editorial party in January 2004. Obata said that, despite the intrigue, he
did not ask his editor about Ohba's plot developments as he anticipated the new
thumbnails every week;
Ohba
claims that the series ended more or less in the manner that he intended for it
to end; he considered the idea of L defeating
Light Yagami with Light dying but instead chose to use the "Yellow Box
warehouse" ending. According to Ohba the details had been set "from
the beginning";
13: How to Read states that the humorous aspects
of Death Note originated
from Ohba's "enjoyment of humorous stories";
Regarding
the anime adaptation Tetsuro Araki, the director, said that he wished to convey
aspects that "made the series interesting" instead of simply
"focusing on morals or the concept of justice." He concluded that Light's presence was
"the most compelling" aspect; therefore the adaptation chronicles
Light's "thoughts and actions as much as possible";
Araki
said that, because in an anime the viewer cannot "turn back pages" in
the manner that a manga reader can, the anime staff ensured that the show
clarified details. Inoue added that the staff did not want to get involved with
every single detail, so they selected elements to emphasize. Due to the
complexity of the original manga, he described the process as "definitely
delicate and a great challenge."

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